The work in Seditions takes a critical look at the postwar era, filtered through a punk rock lens. Both Kozik and Smith lived in Europe during that period of intense upheaval, and the imagery reflects their views on politics, government and the status quo. Kozik’s use of the propaganda poster format mirrors the authoritarian graphics of Franco-era Spain and post-WWII America. Smith’s collages offer a controlled perspective on the chaos, class struggle and socio-political turmoil of his time in Italy.
While Kozik cast a special edition clear orange resin Gipper/Reagan bust for Seditions, this was his only “new” work in the show. Matt Hisey and I split that Punk Rock Labbit print set at Comic-Con 2011. The Gipper busts have been circulating since 2011, and Kozik dropped those propaganda posters in April of last year. It’s always nice to see Frank Kozik’s work in a gallery setting, but it was disappointing that so much of his Seditions were previous releases.
The majority of Smith’s work, on the other hand, was new to me. In addition to a selection of work spanning his career, Smith created a new series of collage compositions from rare late 1800s steel plate engravings.
Music fans will also recognize Smith’s style from the covers of albums by The Dead Kennedys and Green Day.
Seditions closed this weekend, but some of the work is available online through the gallery. Click here to view the art and make an inquiry.