Toy Art 2.0: Now Available

Written on by jeremy

Toy Art 2.0

Toy Art 2.0 is now available! This coffee table art book is a four-pound love letter to the spirit of community and power of accessible art. From cover to cover, its 290 pages  are packed with 50+ interviews and 150 color photos. We (an artist, a writer and a producer) created it from three countries over the course of three years, and we hope you enjoy it as much as we enjoyed making it.

I became involved in this epic project almost three years ago when Canadian artist Okedoki found herself overwhelmed with a manuscript eclipsing 500 pages. As I combed through that first draft, I noticed recurring themes of community, collaboration and customization. This struck me as an interesting culture shift in the toy art niche: a decade ago, toy art was a means of owning affordable art multiples by a few of my favorite painters and illustrators. Currently, the movement has swung from the few to the many, and people around the world are working together to create and customize their own toy art.

Toy Art 2.0

Today’s toy artists defy categorization. Thanks to six letters (W.W.W. and D.I.Y.), previously passive collectors are now active participants in their own global community. Toy artists paint plastic from San Francisco to New York, pour molds from Moscow to Manila and carve wood from Bali to Zurich. Toy art is forged in foundries in LA and found in quarries in France. Creators, collectors and curators mingle online. Art becomes accessible. The exclusive gets a bit more inclusive. With a wink to Web 2.0, we distinguish the current scene from its ancestry.

Toy Art 2.0

Toy Art 2.0 features 21 interviews with artists who create and collect toy art: Frank Kozik, Walter “Chauskoskis” Jackott, Ferg, Glenn Barr, Chris Ryniak, Kathie Olivas & Brandt Peters, Francesco de Molfetta, Huck Gee, Sergey Safonov, Bjorn Calleja, Doktor A, Yosiell Lorenzo, John “Spanky” Stokes, Ayleen Gaspar, J*RYU, Jesse Hernandez, Lee “Leecifer” Gajda, Nakanari, Paul Kaiju, Mark Nagata and Skinner.

Toy Art 2.0

The book also introduces the retailers, distributors, producers, curators and fabricators who ensure collectors get their fix: Amy Del Castillo and Luke Rook of Lulubell Toy Bodega, Bigboy Cheng of SecretFresh, Brian Flynn of Super7, Dov Kelmer of DKE, Gino Joukar of Toy Art Gallery, Julie B. of Pretty in Plastic, Raymond Choy of Toy2R, Rob Clarke of Foosh, Steve Agin of AginToys (formerly of Phillips de Pury) and Vince Su of VTSS Toys.  read full article

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Toys by Design: The Pete Fowler Interview

Written on by jeremy

Design Bureau: Toys by Design with Pete Fowler

We’ve reached the finale of Toys by Design for Design Bureau, and I’m “chuffed” to conclude my column with that polymath, Pete Fowler. Here’s an artist who was an early player in the designer toy game, but he didn’t pause on plastic. In fact, he didn’t pause at all. For over a decade, Pete Fowler has let loose a panoply of woodland critters and seafaring sprites in mediums as disparate as toys, trophies, tables and thread. You can drink out of or eat off of his artwork. You can jam with his creations. Some might even say his characters raise awareness.

Truman billboard by Pete Fowler

Pete and I had the following conversation back in April, and the truncated column appears in print in the August issue of Design Bureau. Notably, this marks the final “toy art interview” I’ll be posting on my website for the foreseeable future. But…stay tuned for 50+ interviews with creators and collectors in Toy Art 2.0, the coffee table art book I collaborated on with Okedoki, out before the year is over!

Pete Fowler

JB: Where does this missive find you today?

Pete Fowler: At home in east London, enjoying a coffee [ed note: perhaps?] on a Saturday morning while the elusive sun streams through the windows with Ulrich Schnauss playing on the Hi-Fi. I’m signing at ToyCon this afternoon, looking ahead to a busy weekend of catching up with friends and fellow artists. I’m sure there’ll be a few drinks later.

Beer doodles by Pete Fowler

What are some of your favorite places to be?

I really like being in Cornwall, the part of Britain where I went to art school and later spent a chunk of my life before I moved to London. I love being near the sea, and Cornwall has an amazing coastline. It’s an inspiring place for me–not just the landscape, but the myths, stories and characters that live there. Also, it’s an excellent place to relax.

Creatively, my perfect space can be anywhere really. Good pubs are as good a place as any to ponder and plot. My local, the Carpenters Arms, [ed note: "granny annex"???] is a great pub once owned by the most notorious east end gangsters: the Kray twins!

Pete Fowler Secret 7 sleeve

You work in a splendid array of mediums! Does the medium or the message come to you first?

I’m inquisitive by nature, and I think that’s reflected in the different mediums I work with. It’s also a patience issue, so it’s useful to have several projects running at once so I can dip in and out of them. I often get ideas from one project that can be transferred to another, and the mixture of mediums seems natural for me to explore. Sometimes coming across a new medium can excite me to think of a way to use it. Other ideas search for a medium. It can happen both ways.

Pete Fowler's paint brushes

How do you organize your ideas? read full article

Posted in Features, Interviews, Toys By Design | 1 Comment

The End of the Man by Sergey Safonov

Written on by jeremy

The End of the Man by Sergey Safonov

I’m preparing to take a sabbatical from writing this blog, so following up an epilogue with an end seems pretty perfect! I’ve got one more interview and one announcement coming, but this will be my last post on an objet d’art for a bit. I’m happy to coincide this conclusion with the final chapter of Sergey Safonov‘s Godot character.

The End of the Man by Sergey Safonov

As soon as I received this piece (made in Moscow, couriered to a hotel in San Francisco by a friend), I knew I’d inevitably carry it to a beach to take these photos. The End of the Man is a nearly-life-size porcelain sculpture that represents the last stage of the Godot story arc. We were with Godot as a chorus boy, and we knew him as a man. Now it is time to say a fond farewell.

The End of the Man by Sergey Safonov

The 9″ x 6″ unglazed bisque porcelain bird skull is impeccably crafted and subtly nuanced. It’s available with free worldwide shipping in a limited edition directly from the artist here.

Posted in 3D, Art, art multiples | 1 Comment

Philographics: an Epilogue

Written on by jeremy

Philographics in Philo

Two years after I first wrote about Genís Carreras‘ project that mashed up complex philosophy with minimalist design, I now hold his Philographics book in my hand! There were posters and then more posters and finally a Kickstarter campaign (that blew past its goal more than 4X over). From cover to cover, Carreras has distilled 95 philosophical terms into simple visual design and accessible academia. While Philographics now exists in wonderful, portable book format, it’s more of an “art book” (or an artful educational tool) than a “story book.” So since I do love a good story, I’ll add this unsolicited epilogue. While driving up the California coast, I passed through a town called Philo. The book had just arrived and was with me, so Serendipity called for a quick pit stop photo (above).

Philographics © Genis Carreras

Philographics © Genis Carreras

It’s terrific to learn all this lingo in this lovely format. If only I’d previously known about Hylozoism (“the philosophical theory that all material things possess life, or that life is inseparable from matter”), I’d have been peppering my posts with philosophy long ago! I think you missed your shot at the book if you didn’t support the Kickstarter campaign, but prints of the individual Philographics are available (and affordable) here. Good going, Genís.

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Tim Peaks = Music + Coffee + Art

Written on by jeremy
Tim Peaks cartoon by Tony Husband

Tim Peaks Diner cartoon by Tony Husband

What do you call a clever cartoon about coffee? How about a “brew-haha”? Have you been (caf)fiending for a product with a good story? One that hits all those tasteful notes? Something that, to quote Pete Fowler, when imbibed in great quantities allows you “to see into the future and the past”? Here it is.

Tim Peaks x Pete Fowler coffee labels

 

Tim Burgess  of The Charlatans started a brand of coffee over twitter. Really, he did. It’s called Tim Peaks, and it combines four of my favoritest things (music, coffee, art and Twin Peaks)! Creating Tim Peaks was rather a happy accident. Here’s Tim:

Tim Burgess, Tim Peaks

And here’s the 7Am missive that started the mission: “Morning tweets x coffee?” More:

Each morning there’d be a song, the breakfast banger–from The Fall to Two Fingers to Jim O’Rourke–songs that people knew, songs that they didn’t. It was kind of like an inverse version of The Emperor’s New Clothes–nobody pointed out there was no actual caffeine and nobody burst the bubble. It was metaphysical and metaphorical and it was a daily routine.

And then things got real:

Tim Peaks coffee cups

I’d played at a brilliant festival called Kendal Calling in The Lake District and they called offering us the most perfect log cabin that for three days this summer became Tim Peaks for real. Real jukebox, real diner booths, real everything. Even down to our own blend of coffee. I was summoned to Glasgow by a coffee roaster and questions were asked, thoughts were shared, beans were ground and blended and after a day of slurping and some spitting out we’d made it. Tim Peaks Coffee was real and it was fantastic.

Agent Cooper would surely approve, and Burgess even donates a percentage of profits to the David Lynch Foundation. Burgess looks like he’s having a blast, and I can’t wait to try this coffee. Click through for a video and more info.

read full article

Posted in 3D, Art, Design, edible art, packaging | Comments Off